Shakespeare's word |
Meaning (in the sample usage) |
# |
Reference(s) |
Sample usage |
caitiff |
base; wicked and mean; cowardly; despicable; |
13 |
Lear 3.2 Rich II 1.2 Meas 2.1 |
That art incestuous: caitiff, to pieces shake, A caitiff recreant to my cousin Hereford! O thou caitiff! O thou varlet! O thou wicked |
capable |
usually in modern sense, but once -- legally able to inherit, legitimize |
16 |
Lear 2.1 |
I'll work the means To make thee capable. |
catch |
song |
8 |
TN 2.3 |
rouse the night-owl in a catch that will draw three souls out ... |
character |
handwriting; written letters and words |
30 |
Lear 2.1 Rich III 3.1 As You 3.2 |
thou didst produce My very character, I say, without characters, fame lives long. these trees shall be my books / And in their barks my thoughts I'll character; |
check |
rebuke
restrain, hold back |
38 |
Lear 2.2; Oth 3.3 |
The good king, his master, will check him To incur a private check |
cheveril |
kid leather |
3 |
TN 3.1 |
but a cheveril glove to a good wit |
chuck |
affectionate term |
A&C 4.4 |
No, my chuck. Eros, come; mine armour, Eros! |
|
clout |
a piece of cloth or leather; a patch; a rag; a target (clouted shoes have been understood by some to mean shoes armed with nails; by others, patched shoes) |
9 |
2 HVI 4.2 2 HIV 3.2 LLL 4.1 Cym 4.2 |
Spare none but such as go in clouted shoon; clapped i' the clout at twelve score must shoot nearer, or he'll ne'er hit the clout put / My clouted brogues from off my feet, whose rudeness/ Answer'd my steps too loud. |
cog |
deceive |
10 |
MWW Oth 4.2 |
I cannot cog, I cannot prate some cogging cozening slave |
coil |
trouble |
11 |
Mids 3.2 Ham 3.1 |
all this coil is 'long of you shuffled off this mortal coil |
coistrel, coystrill |
groom, low fellow |
2 |
TN 1.3 |
he's a coward and a coystrill that will not drink to my niece |
collied |
darkened, as with coal |
2 |
Mids 1.1 Oth 2.3 |
Brief as the lightning in the collied night ... passion, having my best judgment collied |
colour |
hue, shade, tint; flag (the usual, modern usage)
shade or variety of character; kind; species pretense |
133 |
many
Lear 2.2 3 HVI 4.5 |
many a fellow of the self-same colour / Our sister speaks of. Come, bring away the stocks. he make his way / Under the colour of his usual game |
competitor | partner | Ant 1.4.431 | It is not Caesar's Natural vice, to hate Our great Competitor. |
|
compound |
amicably settle
mixture |
34 |
Shrew 1.2 Henry V 4.3 MWW 3.5 |
rise: we will compound this quarrel.
If for thy ransom thou wilt now compound there was the rankest compound of villanous smell |
consort |
gang, mob (derogatory) |
11 |
Lear 2.1 |
Was he not companion with the riotous knights that tend upon my father? Yes, madam, he was of that consort. |
cony-catch |
cheat, swindle; literally 'rabbit-poach' |
3 |
MWW 1.1 |
your cony-catching rascals, Bardolph, Nym, and Pistol |
coranto |
fast, skipping dance |
3 |
TN 1.3 |
. . . not go to church in a galliard and come home in a coranto? |
couch |
sleep, retire |
20 |
Lear 3.1 MWW 5.5 |
This night, wherein the bear would couch I'll wink and couch: |
cousin-german |
relative, kinsman (see germen) (note pun in MWW, on "cheating Teutons") |
1 |
T & C 4.5 MWW 4.5 |
my father's sister's son, / A cousin-german to great Priam's seed; there is three cozen-germans that has cozened all the hosts |
cozier |
cobbler |
1 |
TN 2.3 |
that ye squeak out your coziers' catches without any mitigation or remorse of voice? |
croak |
the raven's hoarse call, (all 4 WS uses include a raven) |
4 |
Lear 3.6 |
Hopdance cries in Tom's belly for two white herring. Croak not, black angel; I have no food for thee. |
crowner |
coroner |
2 |
TN 1.5 |
Go thou and seek the crowner, and let him sit o' my coz |
cubiculo |
bedroom (Ital.) |
1 |
TN 3.2 |
We'll call thee at thy cubiculo |
cunning |
well-qualified, skillful; (but usually with modern undertones of craftiness) |
79 |
Shrew 1.1 1 HVI 2.1 |
get her cunning schoolmasters to instruct her Is this thy cunning, thou deceitful dame? |
When I was in college, struggling through my Signet volume of Shakespeare, I didn't have the time, money, or inclination to buy audio tapes of the plays. I've done so recently, and what a difference.
In part, because Shakespeare was meant to be heard (and seen), and in part, because the English language has changed, listening to King Lear, or any of the plays, while reading the text, adds a whole new dimension.
The humor becomes clearer; anger is better conveyed; the reader/listener at once can absorb so much more of the play. For King Lear this version with Sir Laurence Olivier, is excellent.